Monday, February 7, 2011
Well Color This Green
Perhaps, I’m a little biased.
Spencer Addison wrote a piece about how sight was the most beautiful sense that we were given and continued to enumerate the reasons why in a way befitting the Enlightenment Period in England. Afterwards, I pondered which of the senses I treasure most, and I actually love sound more than sight—my friend, Ashley, told me that I’m a “bad filmmaker” in jest. I just love sound. I love words and the way they sound, the echo of an object dropping to the floor, the tapping of fingertips on different solids. Sound is so beautiful.
Since cymatics is so awesome, that would mean by extension that synesthesia is also awesome. While, I am not lucky enough to have synesthesia, I do associate certain smells, words, and sounds with different colors. I often get strange looks when I ask what “that pink smell” is.
When I first saw read the Wikipedia articles about synesthesia, I thought of Harry Smith’s Early Abstractions, which we watched in Shannon’s 302 Experimental class. I don’t think Harry Smith would meet Richard Cytowic’s criteria for being a bonafide synesthete, he certainly played with color in a way that gave a new feel to the Beatle’s songs that he chose—I’m sure the acid helped.
I find it interesting that the Neurological Synesthesia article reports both that most synesthetes do not know that their condition is strange, but they also keep it a secret their whole lives. If they don’t know it’s strange, are they really keeping it a secret or are they simply living their lives?
In the Synesthesia in Art article, I really appreciated a lot of the artistic rendering of things that are not thought of as visual. Carol Steen’s discussion of Visions (as shown in the margin) was really interesting. Does that really count as synesthesia though? She painted something she saw no matter how abstract. I sometimes see different colored spots when I get up too fast. Does that count as synesthesia?
The idea of visual music is intriguing, but I sometimes wonder if I get it. There was a film that we watched in 302 that was a bunch of lines, and I thought that was quite good. I can’t remember, who made the film, but it was the only time I felt I could hear the music according to what was on the screen.
I really can’t remember, and it’s going to bother me all night.
Friday, January 28, 2011
The 1st Taste
What is my honest reaction of the film? I wish I could say that I hated every minute, and that it was the biggest waste of time ever. I’m not saying that because I want to be ignorant; I just think it would make for a more interesting final post.
I really enjoyed the film. It was like an experimental lullaby. The geometric shapes and the filmmaker’s control with the animation was really nice. I can’t imagine how long it must have taken for this film to be completed. The intricate etching on the film is so precise and thoughtful. As interesting as the visuals are, the soundtrack adds another rich dimension to it. The soundtrack is very deliberate and coincides with visual quite nicely. Some of the sounds were a bit disruptive, but it still went with the animation quite well.
I really enjoyed the etched aesthetic of the film. The color in the outlines of the shape was a nice touch. The colors were really delightful and stimulating. It really highlighted the control the filmmaker had of each frame. Each shape was incredibly concise and deliberate.
I signed up for 6 x 1 because it was so highly recommended. My friends, who aren't even that experimentally minded, loved this class. I LOVE film, and any opportunity to play with more celluloid is so exciting. Even the first day of class when I was essentially mutilating the archival footage, it was so invigorating. I can't tell you the last time I was so deliberately destructive. It doesn't get much cooler than that.